
I build systems that work — then I prove it.
I'm Brent Slater — a systems-minded builder focused on data, AI, and product. I turn complex, messy environments into reliable pipelines, tools, and workflows that actually get used.
The projects on this site show the range: vocal-tools is a 70+ metric audio analysis pipeline I built to compensate for hearing loss in one ear, Shipwright is a 32K-LOC CLI that turns tickets into verified changesets with SHA256 integrity, and ReignIn is a macOS menubar app enforcing daily accountability with an append-only audit trail.
I'm at my best when I can zoom out to see the whole system — people, data, incentives, failure modes — then zoom back in and ship clean execution. I care about clarity, durability, and making things feel effortless for the user.
The through-line is proof. The systems I build leave a measurable trail — audit logs, integrity checks, plots, and test reports. If you want someone who can build, communicate, and keep complexity under control, let's connect.
Work
- Company
- U.S. Bank
- Role
- Site Reliability Engineer
- Date
- 2021–Present
- Company
- Anheuser-Busch InBev
- Role
- Director, Cloud Operations
- Date
- 2021
- Company
- U.S. Bank
- Role
- Cloud Solutions Architect
- Date
- 2020–2021
- Company
- U.S. Bank
- Role
- Data Engineering Manager
- Date
- 2016–2020
Education
- Institution
- University of Illinois Springfield
- Degree
- M.S. in Computer Science
- Year
- 2019
- Institution
- Eastern Illinois University
- Degree
- B.A. in Corporate Communication
- Year
- 2013
Volunteer
- Organization
- Impartial, Inc.
- Role
- Creative Director, Music
- Date
- 2025–Present
Criminal justice advocacy nonprofit. I create and direct music for educational games designed to raise public awareness of wrongful convictions — working with university students from programs across the country who develop the games.
Music
Currently writing and recording Gravel & Grace — a confessional country / Americana album about sobriety, fatherhood, and hard-won grace. 12 tracks across three acts. The vocal-tools pipeline was built to record it.